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爱上海419论坛|夜上海论坛|上海后花园论坛|上海品茶网 Skip to content 爱上海419论坛|夜上海论坛|上海后花园论坛|上海品茶网 Sun Zhijia： Optimizing the layout of scientific apparatus and promoting development. 2026年7月25日 | admin | D4 　　Cctv news(News Network): Sun Zhijia, a member of Chinese People’s Political Consultative Conference, is the head of China’s spallation neutron source detector and electronics team and has been engaged in scientific research in scientific apparatus for more than 20 years. Sun Zhijia said that at the upcoming National People’s Congress, he will make suggestions and suggestions on accelerating the layout and construction of scientific apparatus. 　　These days, Sun Zhijia has collected many scientific research data from Greater Bay Area cities such as Guangzhou, Shenzhen and Dongguan. He found that, as the first scientific apparatus in Guangdong-Hong Kong-Macao Greater Bay Area, China’s spallation neutron source has made a number of achievements in the fields of magnetic materials, nano-functional materials, organic solar thin-film batteries, etc. However, in order to transform it into practical applications and form industrialization, it still needs the system support of upstream and downstream research institutions. 　　Sun Zhijia believes that platform-based scientific apparatus can provide full-chain technical support from original innovation to product upgrading, which requires accelerating the construction of scientific apparatus and forming an internationally competitive scientific apparatus group as soon as possible. 　　Report to the 20th CPC National Congress pointed out that it is necessary to promote the construction of international and regional scientific and technological innovation centers as a whole, strengthen the construction of basic scientific and technological capabilities, strengthen scientific and technological strategic consultation, and enhance the overall efficiency of the national innovation system. Sun Zhijia said that scientific apparatus is a highly technology-intensive national major project, and it is necessary to avoid low-level duplication, improve the spatial layout and give full play to the cluster effect. In this year’s two sessions, he will focus on the theme of high-quality development in Guangdong-Hong Kong-Macao Greater Bay Area, focusing on accelerating the construction and optimizing the layout of scientific apparatus, and helping to build a comprehensive national science center in Guangdong-Hong Kong-Macao Greater Bay Area. Continue reading » The Big Bang Theory pushes a new derivative drama, and the original cast is expected to make a guest appearance. 2026年7月22日 | admin | D4 stage photo 1905 movie network news Recently, according to foreign media reports, the global popular American drama "The Big Bang Theory" will launch a brand-new derivative drama. At present, in the early development stage, the plot and other information have not been exposed, and most of them are new actors and new roles. Every hour of intensive work, there may be a guest appearance by the actors of "The Big Bang Theory". Little Sheldon poster Previously, The Big Bang Theory had launched the derivative drama Little Sheldon, which told the story of sheldon cooper’s family in childhood. The first season was premiered in 2017, and now it has been broadcast for six seasons, which has gained a good reputation. Continue reading » Wuhan’s ＂Clear-out and Empty-out Merchants＂ shopping mall was found to be a false investment promotion, and responded that everything was carried out according to the contract. 2026年7月18日 | admin | C3 On the cover news, on May 24th, Wuhan Hongshan District Market Supervision Administration issued an administrative penalty, and found that Wuhan Base Camp Commercial Management Co., Ltd. (referred to as Base Camp) had false propaganda in the process of "Fanyue City Outlets" investment promotion, ordered it to correct the illegal behavior and eliminate the influence within the corresponding scope, and imposed an administrative penalty of 35,000 yuan. Previously, a number of merchants reported to the cover journalist that they were promoted by Base Camp Company as "Wuhan’s first outlet city with the most comprehensive categories and brands, with nearly 300 brands and 300 Ole retail brands" and "600,000 college passengers". After they settled in, they found that the big brands under promotion did not settle in, and the shopping mall failed to open normally for three or four years. The shopping mall transferred the shopping mall to others, and the materials of more than a dozen merchants were removed and emptied, and their whereabouts were unknown. After the cover news reported this, many citizens in Wuhan, Jingzhou and Xiangyang reported that the shopping mall pavement they bought many years ago was taken away by the base camp company under the propaganda of "20-year guaranteed lease", but they unilaterally requested to re-sign the contract, reduce the income, and defaulted on rent and dividends. In this regard, the person in charge of Wuhan Base Camp Company said that all the actions of the company are handled according to the contract and according to the process. Original title: Wuhan’s "Clear-out and Empty-out Merchants" shopping mall was found to be false in investment promotion and responded that "everything was executed according to the contract" | Cloud complaint Continue reading » The launch of the first knowledge map fusion large model platform in China explores a new path for the industrialized application of large language models. 2026年7月15日 | admin | B2 CCTV News:Since the beginning of this year, the big language model and generative artificial intelligence represented by ChatGPT have become global hot spots in science and technology, and have affected human life and production mode. However, users around the world soon found that in the process of interacting with the big language model, they would encounter it "seriously talking nonsense" and output specious or even absurd results. This technical feature called "big model illusion" hindered its application and development in enterprises and industries.　 On September 8th, the research team led by Zheng Weimin, an academician of China Academy of Engineering, launched the first "knowledge map and large model integration application platform" in China. Knowledge mapping is a recognized "brain-like" artificial intelligence technology, which is widely used in knowledge reasoning. The platform combines the fast and accurate characteristics of the two, and explores a new technical path for the industrial application of large language model. According to Zheng Weimin, the platform effectively overcomes the "illusion" and mistakes that may be caused by the big model technology by combining the whole process of knowledge map with the big model technology. Zheng Weimin, Academician of China Academy of Engineering and Professor of Computer Department of Tsinghua University:If all models are made, the accuracy of some systems is only 37%, while based on knowledge map, adding knowledge map, the accuracy reaches more than 90%, which is very good. Since the big language model came out, its cross-domain universality, fast autonomous learning and self-improvement ability are undoubtedly revolutionary. Zheng Weimin, Academician of China Academy of Engineering and Professor of Computer Department of Tsinghua University:What questions the big model asks it, industrial, agricultural and national economy, it can answer it quickly and will tell you later. This is a very good thing, but we also find that its answer is sometimes inaccurate, and sometimes some people say it is nonsense. In Academician Zheng Weimin’s view, when a large model moves from personal application to enterprise application, it changes from a toy to a tool, and the accuracy of the tool is very important. Therefore, as a more "brain-like" artificial intelligence tool, the accurate knowledge derivation of knowledge map can complement the large model, and the fast learning ability of the large model accelerates the knowledge generation of knowledge map, thus realizing the use of science and technology. Continue reading » Tianfu Central Legal District： Building a Highland of First-class Legal Services 2026年7月11日 | admin | A1 Along Tianfu Avenue, the central axis of Chengdu, all the way to the south, there are rows of tall buildings. Next to Tianfu Avenue, Tianfu Central Legal District, with Tianfu Central Business District as the main bearing place, was officially launched on February 5. Last year, the Provincial Party Committee decided that the Political and Legal Committee of the Provincial Party Committee would take the lead in planning and constructing the Tianfu Central Legal District in Chengdu, Tianfu New District. This is the first modern legal gathering area promoted at the provincial level in China. At present, more than 20 institutions have settled in in advance, and many projects are being promoted. Why should Sichuan build Tianfu Central Legal District? How to build? Why build it? Optimize the business environment ruled by law On the day when Tianfu Central Legal District was put into operation, Beijing Tongshang (Chengdu) Law Firm signed a cooperation agreement as a representative of the legal service agency. "Trading" is evaluated by the industry as one of the "red circle offices" of top law firms. "It was established in Beijing in 1992, and by 2000, we only set up branches in Shanghai and Shenzhen. Chengdu Branch is the first branch established by’ Trade’ 20 years later, and it values the future development prospects of Sichuan. " Nathan Chen, senior partner of the Beijing headquarters of the law firm, introduced. "Supporting the construction of the Central Legal District in the Central Business District is of great significance for improving the level of public legal services and the rule of law, creating a good economic order and business environment, and promoting high-quality development." Cao Daixue, deputy secretary of the Political and Legal Committee of the Provincial Party Committee, said. The staff responsible for attracting investment are deeply touched. "The economic center is a gathering place for economic resources, and it also needs the help of legal resources." According to the relevant person in charge of the Economic Bureau of Tianfu New District Headquarters, in the daily investment promotion work, some enterprises are very concerned about the legal environment and legal service supply capacity of the attracting places. "Every time we make a promotion, we will definitely take the rule of law business environment as an important display content." Liu Zhicheng, director of the Department of Justice, said that Sichuan has basic conditions and urgent needs to build a central legal district. "In recent years, Sichuan’s legal service industry has continued to develop, ranking first in the country and leading in the west. However, with the in-depth implementation of the "Belt and Road Initiative", the development of the western region, and the construction of the twin-city economic circle in Chengdu and Chongqing, there are shortcomings such as insufficient high-end industries in the Sichuan legal service industry. " Liu Zhicheng introduced that the construction of Tianfu Central Legal District will help to gather a group of branded and large-scale legal service institutions with benchmarking role in the whole country, and provide legal services for the internationalization of Sichuan and even the central and western regions in high-end service fields such as corporate business and financial securities. Liu Zhicheng believes that as an important part of modern service industry, Sichuan legal service industry still has a lot of room for expansion and promotion. "The proportion of GDP in the legal service industry has exceeded 1% in Beijing and Shanghai, while Sichuan only accounts for 0.1%. The construction of Tianfu Central Legal District will open up space and provide a platform for the development of legal service industry in our province. " How to build it? Create a professional "rule of law ecosystem" in the whole chain How to build Tianfu Central Legal District? The planning has a clear orientation and construction goal: to build a first-class legal service highland based in Sichuan, radiating to the west, affecting the whole country and facing the world. The construction of "highland" cannot be separated from industrial support. The "Overall Implementation Plan for the Construction of Tianfu Central Legal District" led by the Political and Legal Committee of the Provincial Party Committee makes it clear that in terms of industrial planning, Tianfu Central Legal District will build a "rule of law ecosystem" of "platform-driven layer, core industry layer, related function layer and derivative supporting layer". What is planned synchronously with the industrial layout is the spatial layout. Cao Daixue introduced that Tianfu Central Legal District will plan to form a spatial layout of "one heart, one belt and more points". "One heart" means the public legal service center; "One Belt" means the development belt of high-end legal service industry; "Multi-point" refers to a number of legal cultural communication nodes. "After receiving the construction task, I immediately selected the legal service gathering areas of world-class cities such as the City of London and Manhattan, new york, and did a lot of empirical research. These legal service clusters show some common points, and in spatial form, there is a significant accompanying relationship with high-energy business districts; In terms of layout characteristics, it is relatively concentrated around the landmark landscape and along the rail transit. Therefore, the construction of Tianfu Central Legal District chooses Tianfu Central Business District as the main carrier and TOD as the center to build a high-end legal service industry development belt running through Tianfu Central Business District. " The above-mentioned person in charge of the Economic Bureau of Tianfu New District Headquarters introduced that in order to support the construction of Tianfu Central Legal District, Chengdu’s integrated design of Qingdao Road TOD site can be described as "finely crafted", and the surrounding industrial planning and supporting needs have been studied and demonstrated many times, and the requirements for the construction of the legal district that have been sorted out have been refined and improved. "New District" construction, policy first. The reporter learned that the Justice Department has formulated the "Implementation Measures for Launching the Pilot Work of Law Firms Hiring Foreign Lawyers as Foreign Legal Advisers (Trial)", which will promote the exchange of Chinese and foreign lawyers and improve the level of foreign-related legal services in Sichuan. Tianfu New District will also give policy incentives to enterprises and talents who have settled in Tianfu Central Legal District from ten aspects, such as settlement incentives and lease subsidies, in order to attract high-end legal resources to gather in Tianfu Central Legal District. How’s it going? More than 20 institutions have settled in, and the siphon effect has begun to show. On February 5, the comprehensive service center of Tianfu Central Legal District was opened simultaneously. This is the first carrier of Tianfu Central Legal District, and more than 20 institutions have been stationed in the first batch, including political and legal service window units, influential legal institutions such as lawyers, notaries, arbitrations, judicial expertise, market supervision, intellectual property rights, accounting and other legal institutions. "This is one of the achievements of the current construction of Tianfu Central Legal District." According to the relevant person in charge of the comprehensive service center, the biggest feature of the center is to "only run one leg, only enter one door and only find one person" to achieve "one-stop" business handling. The reporter learned from the Procuratorial Service Center of Tianfu Central Legal District that the center has set up windows for defense and agency reception, case acceptance and legal consultation, as well as an office area for intellectual property procuratorial classes and an enterprise service hall to perform some procuratorial functions of Sichuan Provincial People’s Procuratorate, Chengdu People’s Procuratorate and Tianfu New District People’s Procuratorate. "Here, through a window, the’ one-stop’ service of the three-level procuratorial organs in the province can be realized." The relevant person in charge of the provincial procuratorate introduced. This layout makes the siphon effect of Tianfu Central Legal District appear. "Law firms need to deal with relevant legal institutions, which are relatively clustered and more convenient. In addition, institutions can promote each other and improve their business level in collaboration. " Nathan Chen said. "The notarization accreditation center and the global digital legal notarization service platform we have set up here have been put into operation. The global digital notarization service platform can realize remote handling and can cooperate with foreign notaries and foreign legal institutions to handle notarization business through the network. " The relevant person in charge of the Sichuan Legal Notary Office said. More planning is coming into reality. The provincial courts actively strive for the support of the Supreme People’s Court, and settle in the Chengdu District Court of Tianfu New District (Sichuan Free Trade Zone Court), the first and second courts of Chengdu railway transportation, the Chengdu Intellectual Property Court, the Chengdu Bankruptcy Court, the Chengdu Internet Court, the Chengdu Financial Court and the Giant Panda National Park Ecological Court in Tianfu Central Legal District. When conditions are ripe, the provincial courts and the Chengdu Intermediate People’s Court will also settle in to form a judicial gathering area. The Department of Justice has won 19 policies and projects from the Ministry of Justice, and 17 were approved in advance. The Ministry of Justice has clearly expressed its support for the policy of striving for the introduction of international arbitration institutions, and will support the employment of international arbitrators as arbitrators in existing arbitration institutions, which will boost Chengdu to become a regional international arbitration center. In the future, Tianfu Central Legal District has a higher construction goal-by 2030, it will form a high-energy industrial system that comprehensively covers and seamlessly connects the international and domestic legal service needs, continuously improve the incubation mechanism of international legal enterprises and the training mode of international legal talents, continuously export international leading legal service solutions, and become a rule of law platform with international influence. (Reporter   Ren Hong   Lan nan) Continue reading » Can the suspense drama starring Xia Yu Luo Jin drive the domestic short play word-of-mouth market to win？ 2026年7月8日 | admin | B2 After suspenseful dramas such as Chasing the Murder in the White Night, Crime Without a Certificate and Hidden Corner become explosions, the creation mode of suspense+short drama is becoming a trend. However, the similarity in texture, style or narrative makes many highly anticipated dramas less popular than expected. The online drama Out of Court, which is being broadcasted by Youku alone, has attracted the attention of many suspense drama lovers with its strong lineup. The play consists of two unit dramas, Blind Zone Outside the Court and Drowning Man Outside the Court. Xia Yu and Luo Jin are the protagonists of Blind Zone and Drowning Man respectively, and they have important scenes in another unit. Different from the common unit dramas in the past, Blind Area and Drowning Man are quite different in genre. The former tends to be a type of criminal investigation, while the latter is closer to the legal industry drama, both of which have suspense elements and occur in the same time and space. Among them, the "Blind Area" unit has only six episodes. Wang Ping, the chief producer of Out-of-Court series, is the chief planner of Chasing Murder in a White Night, and the screenwriter fingerprint is one of the screenwriters of Chasing Murder in a White Night. Zhang Li, the director of Blind Zone, has directed classic TV dramas such as Towards the Republic and 1566 of the Ming Dynasty, and Huang Wei, the director of the drowning man, has directed Great Rivers and Bailuyuan. For these senior content creators of film and television dramas, the shooting mode and drama structure of Out of Court are quite different from those of traditional dramas, which also challenges the creators. In 24 episodes, 12 episodes, and 6 episodes, the global drama creation has moved closer to short plays, and China film and television people have also stepped out of the comfort zone and joined this wave, which has also brought challenges to the film side and platform. Despite the occasional explosion in the field of short plays, a mature business model has not yet been found, and every exploration is an adventure. "Out of Court" series tries to drain two different types of dramas by interweaving their characters and sharing their world views, so as to expand the audience. In an interview with CBN, Wang Ping revealed that friends in the film and television industry had repeatedly advised her not to easily produce dramas with less than 24 episodes. Because it takes a lot of effort and money to invest in a short play, even if the quality is excellent, the drama is over before the heat rises, and the influence is limited, resulting in extremely unreasonable input and output. However, Wang Ping thinks that short plays must be possible. "All over the world, Netflix and HBO have put out six wonderful short plays. There is a saying that our audience can’t watch short plays, but do they really need them? I am curious. I believe our audience deserves better content. I can’t say that we have done well, but we still want to try. " 16-hour extreme pursuit One of the protagonists in Out of Court series is a judge and the other is a lawyer. Although the main plot takes place out of court, it is closely related to the judicial system. "Blind Area" tells the story that happened within 16 hours, with the death penalty review of a case as the head, Lunan, a judge of the criminal court, worked together with the police and friends to find the truth in the complicated case. This case involves dismemberment, disappearance and smuggling. The relationship between characters is complex, multiple clues are parallel, the amount of information is huge, the narrative festival is extremely fast, and the details will be missed if the attention is slightly distracted. Because of the existence of the "blind area", the truth is confusing, and everyone involved in the case, lawyers and police officers seem to be suspected. The audience and the investigators have uncovered the fog together. Judge Lunan played by Xia Yu is different from the image of Judge Gao Leng portrayed in the past film and television dramas. He explored the case in detail, broke into the scene of crisis alone and dealt with criminals. Some viewers questioned whether such judges really exist in reality. Wang Ping said that the audience’s confusion was actually expected, because for most people, the profession of judge is remote and mysterious. In fact, the judges who participate in the review of death penalty do need to investigate, visit, adjust the papers and raise questions. "Judges don’t just knock the gavel in court. These are all important parts of our legal system." However, in order to make the audience close to the grand judicial system, it is very important to shape a figure who can empathize. "If you just do judicial interpretation, there is no sense of substitution. Create good characters, then show the values of the characters, and then lead the audience to understand and understand our judicial system. " In Wang Ping’s view, the core of film and television IP is actually the most important thing to have emotional resonance. "IP can only exist if it is widely resonated on the basis of values. I think the core part of the creation of IP film and television works is the shaping of characters in order to achieve success and market recognition. Create a character that you really agree with and resonate with, and then present it through visual transformation. " When the character meets the right actor, the audience gets a good emotional experience from the story, and the subsequent IP series operation can be out of the circle. Lunan and Qiao Shaoting in Out of Court are idealists. They are brave and resourceful, know how to improvise and have their own persistence in truth and justice. "We don’t want to present judges and lawyers in a facebook way simply. Under the new type of law+suspense, we try to create a solid legal ecology and publicize our legal system positively, which is both popularizing law and shaping heroes." Wang Ping said. Types of dramas drain each other. "Blind Area" is actually a branch story derived from the creation process of "Drowning Man". Judge Lunan became the power behind Qiao Shaoting’s investigation of the case in "The Fallen Man" and promoted the progress of the case. "When a character is created, it has its own independent vitality. We all love the role of Judge Lunan. He is strong and wise, and he is a tough guy we all like. In reality, we do see that many judges are really smart and wise. " Therefore, the screenwriter’s fingerprint produced an idea to make the story of judge Lunan into unit B, and at the same time, it was connected with the drowning person, that is, unit A. Blind Area is a story that happened simultaneously when the story of The Drowner progressed to about 6 or 7 episodes. Judging from the sequence, the "Drowning Man" should be broadcast first, and the "Blind Area" should be broadcast later. Wang Ping revealed to CBN that at first, she was very resistant to this way of broadcasting. "Based on the understanding of stories and people, the audience entered this world, and I hope it will start with" The Drowners "." However, after several rounds of watching movies, more than 70% of the feedback from the platform, the general audience and experts thought that it was more appropriate to put "Blind Zone" in front of "Drowned Man". Compared with The Drowning Man, The Blind Area, which focuses on case investigation, is more popular, and can be established independently before understanding the world outlook and the complicated relationship between characters. From the genre point of view, the audience will not be unfamiliar with crime dramas. Coupled with the fast-paced and strong plot drama structure, Blind Area can quickly mobilize the audience’s psychology of chasing dramas. The drowning man tells the story that Qiao Shaoting, a gold medal lawyer, is imprisoned for representing a bizarre case, and works hand in hand with his peers to investigate the truth in the face of the crisis. Unlike the fast-paced and strong plot Blind Area, it is a legal career drama with suspense elements. By shaping various legal images, it reflects the infighting and changes in the legal arena, and the threshold for watching the drama is relatively high. Before the Blind Area, it sketched and paved the way for Qiao Shaoting’s wit, brave personality and character relationship, so as to facilitate the audience to establish feelings for Qiao Shaoting, enter into the drowning man with expectations, and realize the drainage between different types of dramas. "Usually the audience of one type of drama is not interested in another type. The genre is for the audience. What we want to do is to make the two types cross. " For platforms, producers and creators, their purpose is to attract more people to watch dramas. "There are barriers between different types of dramas. Barriers will always exist, but can’t they be lowered? We hope to drain through this attempt. No matter who is in the front, Blind Area or Drowning Man is the drainage of one type to another. In Wang Ping’s view, the aesthetic needs of audiences of any type and circle should be respected. "We should make every type the best under the existing market conditions. When the audience of "Blind Zone" enters "Drowning Man", even if some of them are lost, 60% of the audience of crime dramas are willing to watch legal career dramas, which is also a victory, because they may not watch them at all. " Wang Ping said that her exploration of suspense dramas will not stop. Together with the screenwriter Fingerprint, she developed "White Night Chasing Murder", "Rebirth" and "Out of Court", striving to create a suspenseful "Tianjin-Hong Kong Universe", "I hope the characters in these stories can have a continuous dramatic life". "We are all looking for the same kind and resonance, so we hope to use these related characters and series to create good stories, whether it is criminal suspense or judicial law." She said. Reporting/feedback Continue reading » Wu Baolin： Rare images about Qian Daosun and others. 2026年7月5日 | admin | C3 Some time ago, "Wenhui Scholar" published a short article entitled "A photo that has been repeatedly mistaken for Qian Daosun" (April 12, 2019), aiming at clarifying that the photo of Qian Dao’s granddaughter Liu Jie is generally regarded as Qian Daosun’s mistake in the internet and newspapers. At the end of the article, the author said: "There are not many photos of Qian Daosun preserved by the descendants of the Qian family, and even the photos of his youth can’t be found. Let’s add a photo of his later years to the layout. (The photo is kept by Qian Jia). " After reading it at that time, my intuition was that Qian Daosun (1887-1966) was very famous in the Republic of China, and he was as famous as Zhou Zuoren as a translator of Japanese literature. According to the truth, there must be many images about Qian Daosun in the old magazines of the Republic of China. Because Qian Daosun not only worked as a "civil servant" in the Ministry of Education of the Republic of China, but also served as a lecturer in the Japanese Department of Peking University very early, teaching Japanese and Japanese history, and later served as the curator of the National Peking Library, and then was hired as a professor of Tsinghua University to teach oriental history, and later took over as the curator of the Tsinghua University Library from Zhu Ziqing. Therefore, it is impossible to leave a video record of the complicated experience of being an official and studying. The carriers of these images are undoubtedly all kinds of old newspapers and related peripheral documents. So the author is very curious, so I found some images of Qian Daosun in my spare time, which are not found in today’s online media and newspapers. I thought it was very interesting at that time, so I sent some photos in my circle of friends. Soon, WeChat official account, the "Scholar of Wenhui", published Wu Zhen’s Qian Daosun, which ran into Zhou Zuoren’s face (published on April 19th, hereinafter referred to as "Alumni Record"), which was a supplement and revision to the previous article. The author mainly "searched for information from two little-used ways". One is the graduation alumni record of national universities during the Republic of China, a list of universities, etc.-this is the basic material source that can be thought of, because Qian Daosun is a "university middleman" after all, and he is also a co-employed professor from "Green Pepper" to the Foreign Languages Department and History Department of Tsinghua. Second, Japanese and puppet photographic publications and archives at that time, such as "North Branch" and the image archives of North China Communications Co., Ltd., which were made public in recent years. Therefore, the author found six photos of Qian Daosun, some of which coincide with what the author found. In fact, this phenomenon shows that Qian Daosun has been "missing" for a long time in the field of literature and history research. At present, I have only seen Zou Shuangshuang’s Japanese monograph "The Traitor" Huばれた Male-Wan Ye Ji をせした㇗ぞのぞぞの "(April 2014) It can be said that this modern scholar, who had a close acquaintance with Lu Xun in his early years, was proficient in Japanese, Italian and other languages, medicine, art and drama, and played an important role in Sino-Japanese cultural exchanges, has long been forgotten. The reason is of course his "falling into the water" experience after the outbreak of the Anti-Japanese War, such as serving as the president of the pseudo-Peking University, maintaining the affairs of Peking University together with Zhou Zuoren in the occupied area of Peiping, and attending two "Great East Asian Writers’ Conferences". As Wu Zhen’s article "Classmates Record" said, "It is really difficult to find photos of people in the Republic of China", "But if we can find the right path", "more and more photos of Qian Daosun will be rummaged out from the corner of history". This paper "rummages" some rare photos of Qian Daosun (1925-1963), providing some basic materials and historical sense for the study of image, Qian Daosun and literature and history in the occupied areas, and briefly introducing the image background. In order to avoid repetition, the photos published in the previous article are not repeated. It should be noted that at the completion of this article, I read the Old Shadow of Quan Shou Shu before Collection published by Wenhui Scholar (May 17th), and provided several photos of Qian Daosun in Arts and Arts Magazine, National Magazine and Magazine, which had the same influence source as this article, but because the author relied on the low-pixel photocopied version of the journal database of the Republic of China of the National Library, the clarity of the photos taken by the original magazine was different. 1. Farewell party of Chinese Studies Department of Chen Wanli, Qian Daosun and Peking University Institute. This photo was collected by Chen Wanli, a famous ceramic research expert and an early photographer in China, and was taken in the "First Special Session of Photography and Film Art" by Xiling Press in the spring of 2017. Official website of Xiling Press introduced the photo as follows: Chen Wanli (1892 ~ 1969) took photos and inscribed the precious photos of Peking University’s farewell to the northwest scientific investigation group. Catalog number: 2871 Appraisal RMB: 40,000－60,000. Transaction price: RMB: 63,250 (including commission) There are two basic historical errors here. First of all, this photo was not taken by Chen Wanli. Secondly, this is not "Peking University’s farewell to the northwest scientific investigation group". Chen Wanli, whose real name is Peng, whose name is Wan Li, graduated from Beijing National Medical College in 1917. In 1925, Chen Wanli was a school doctor in Peking University and worked in the Institute of History and Language. At that time, Professor Langdon Warner, an archaeological team of Harvard University in the United States, and others were going to lead a team to Dunhuang for a one-year inspection, and they needed a Chinese guide. Therefore, John C.Ferguson, the then Beiyang government, introduced them and invited people from the Sinology School of Peking University Research Institute to participate, so Chen Wanli was chosen to accompany the archaeological team of Warner. It started from Beijing on February 16th, 1925 and returned on July 31st, lasting five and a half months. On the day before departure, the National Studies Department of Peking University Research Institute held a farewell party for Chen Wanli. Historically, the "Northwest Scientific Investigation Team" was formally established in April 1927, and it has the significance of declaring the autonomy and ownership of China’s cultural relics archaeology, mainly aiming at the behavior that Sven Hedin and others of the Swedish expedition will go to the northwest provinces of China to inspect geology, meteorology and collect cultural relics. For example, the academic circles in Beijing initiated the establishment of "China Association of Academic Organizations" and published "Declaration against Outsiders Taking China Antiquities at Will", and so on. In 1925, Chen Wanli was only the accompanying guide of the American archaeological team, while in 1927, there were 15 members from China and 23 members from foreign countries in the northwest scientific expedition, so this expedition was also called "fighting for academic sovereignty". (For details, please refer to Guo Jianrong’s "Northwest Scientific Research Departs from Peking University" and "Peking University School Newspaper" on May 15, 2007). On May 9, 1927, the Chinese members of the Northwest Scientific Investigation Team took a group photo with the farewell party when they set out from the National Studies Department of Peking University Research Institute. This photo collected by Chen Wanli was taken on February 15th, 1925. The characters in the photo are either "big coffee" or on the way to becoming "big coffee". The most familiar ones are naturally Hu Shi and Lin Yutang. Several inscriptions on the photo were written by Chen Wanli in different periods. The middle ones are "Hu Shizhi, Zhang Fengju, Shen Jianshi, Chang Hui, Zhu Yixian, Yuan Xiyuan, Li Xuanbo, Rong Geng, Qian Daosun, Chen Yuanan, Xu Xusheng, Lin Yutang, Ma Shuping, Shen Yinmo and Ye Haowu" from right to left, with 15 people in mind. The inscription on the right side of the photo was written in January 1947: "Before going to Dunhuang in the 14th spring of the People’s Republic of China, I took a photo when Peking University was friendly and farewell." However, a closer look at the photos shows that there are 17 people standing, except Chen Wanli himself (standing in the middle), and the name of one person is not recorded in the inscription. After returning to Beijing from Dunhuang, Chen Wanli wrote "Journey to the West Diary", in which it was mentioned that on Sunday, February 15th, "I got up early and went to the Third Hospital (according to Peking University). Mr. Xiyuan, Mr. Kaneshi and Mr. Shu Pingsan had been here first and had a long talk. At ten o’clock, the farewell party of the Institute of Chinese Studies was held. The attendees included Shen Jianshi, Ma Shuping, Yuan Xiyuan, Hu Shizhi, Ye Haowu, Lin Yutang, Chen Yuanan, Zhang Fengju, Shen Yinmo, Huang Zhongliang, Li Xuanbo, Xu Xusheng, Chang Weijun, Rong Xibai, Zhu Yixian and Qian Daosun. Mr. Shu Ping gave a farewell speech first, followed by Yu Zhi’s reply. Mr. Jian Shi, Shi Zhi, Xi Yuan, Yu Tang and Hao Wu all have messages. After the meeting, please take a photo with Mr Wu Yuzhou. After returning to the Chinese studies door, I discussed with Yu Zhou, Yu Qing, Mei Zhuang and Wen Yu about some of the affairs of the Qing Dynasty Aftercare Committee photography. Therefore, the photographer of this photo is Wu Yuzhou. The person whose name is not recorded in the photo caption is Zheng Tianting (the first from the right in the last row, standing behind Zhang Fengju). Since 1924, Zheng Tianting has been a lecturer in Peking University Preparatory School. In addition, it was Huang Zhongliang (Huang Wenbi, the word Zhongliang) who attended the farewell party but did not appear in the photo. Huang Wenbi is a famous archaeologist in China. He graduated from the Philosophy Department of Peking University in 1918. In 1924, he worked in the antique showroom in Shen Jianshi to arrange cultural relics. In the same year, the Archaeological Research Office of the National Studies Department of Peking University established the Archaeological Society, and Huang Wenbi became one of the earliest members.The specific reason why Huang Wenbi didn’t attend the photo shoot is unknown. So, why did Chen Wanli ask Wu Yuzhou to help him take photos? The reason is very simple, because Wu Yuzhou is a photography artist himself, and he is a key member of a community organization with Chen Wanli. In 1923, Chen Wanli, Wu Yuzhou, Huang Zhenhua, Liu Bannong and others initiated the establishment of the first photographic art group "Art Photo Research Association" in China (later renamed "Light Society"). In 1924, Chen Wanli took up the photography task of the Clean Room Aftercare Committee, so there will be a record in the diary of "discussing with Yu Zhou, Yu Qing, Mei Zhuang and Wen Yu about some affairs of the Clean Room Aftercare Committee photography". In addition, in 1924, Wu Yuzhou was also the tutor of photography department of Peking University Plastic Arts Research Association. In the early 1920s, the Plastic Arts Research Association of Peking University was chaired by Qian Daosun, who served as the vice president and its president was Cai Yuanpei. This is naturally the institutionalized design of "aesthetic education replacing religion". In his early years, Qian Daosun loved and studied fine arts and medicine, not the translation and introduction of Japanese literature. Therefore, he has written and translated many articles related to art and medicine. In 1924, he also translated Volby’s Plastic Art in Germany (published by the Commercial Press). In 1925, Qian Daosun in the photo was 36 years old, with a flat head, round wide-brimmed glasses and a moustache, and looked older. In 1924, Chen Wanli published Gale Collection-One of Chen Wanli’s Photographic Works. Qian Daosun not only prefaced it, but also wrote a letter to Sun Fuyuan of Morning Post to introduce Gale Collection at the End of Chen Wanli: "I have known an artist for more than ten years. But he doesn’t take art as his profession, nor does he hear people calling him an artist; However, it is his whole life to be truly grateful for the natural beauty and not be able to create artistic beauty that expresses individuality in various ways. Many people know that he is a physician, and many people know that he is a man who can do things; Although he sometimes makes mountain ink paintings and sometimes sees himself on the stage, few people know that he is an artistic genius and has a very rich artistic life. " Although the photographer of the auction is not Chen Wanli, this photo is really precious. However, I don’t know how the photographer feels. Fortunately, it is not a fake, and it is not bad for money or points. The lesson that onlookers can learn is that a photo auctioned for more than 60 thousand RMB shows that there are still ways to learn literature, history and philosophy well-at least it can save money. Second, Ono Nobutaro’s Essay Beijing and Qian Daosun. In 1940, Nobutaro Ono published "Essays on Beijing" in Tokyo’s No.1 study room, including an essay "Zhou Zuoren and Qian Daosun" with two photos, namely Zhou Zuoren and Qian Daosun. Among them, Qian Daosun’s photo has a self-signed signature, which must be presented to Ono Nobutaro. Zhou Zuoren’s photo was taken in Badaowan at a glance. Because at first glance, it looks very similar to the famous "selfie" photo after assassination in 1939. In 1939, it was taken after Zhou Zuoren was assassinated. Zhou Zuoren and Qian Daosun describes the author’s feelings of visiting Zhou Zuoren and Qian Daosun and expresses his admiration. In the expression of the "Japanese school" in the Republic of China, it is a common practice to mention "weekly money" together. As early as 1935, Cosmic Wind magazine published "Zhou Zuoren and Qian Daosun-two people I know who know Japan" signed by Gu Liang, which was already called this. Nobutaro Ono went to Peiping in 1936 as a special researcher of Japanese Ministry of Foreign Affairs in China. During his stay in China, he had many contacts with famous scholars in Peiping. In fact, it is difficult to study the history of Sino-Japanese cultural exchange or "students studying in Japan" and "Japanese coming to China" without going around Zhou Zuoren and Qian Daosun. Qian Daosun lived in Shoubi Hutong at that time, and Japanese students and scholars in China often visited him at home, and even lodged with him. For related descriptions, please refer to Professor C by Yoshikawa, Memories of Mr. Qian Daosun by Ishida Kansuke, and Mr. Qian Daosun by Munaga Tiancheng, including the essays by Nobutaro Ono, and so on. Qian Daosun also founded the Quanshoudong Document Collection, which specializes in Japanese books and periodicals, for people to read. In addition, it is worth mentioning that Nobutaro Ono is also a member of the "Preparatory Committee" established by the National Assembly of the Japanese Literature Newspaper "People who are proficient in things around the co-prosperity circle". The so-called "Great East Asian Writers’ Conference" was planned by the Japanese Literature Newspaper Congress. Third, Qian Daosun and Quan Shoudong’s Document Collection These three photos are from No.1, Volume 2, 1944, of which the rare photo was taken by Qian Daosun in Quanshoudong Document Collection in 1934. Yang Liansheng used to be a student of Qian Daosun who taught Japanese in Tsinghua. He recorded in the article "Yi En Shi": "From about 1921, I set up a collection of Japanese books at home (East Wing) to collect Japanese books for people to read. It is mainly about literature and history, and its content is rich. In terms of personal book collection, it may be the largest in China at that time. " However, according to Japanese scholar Masako Inamori’s research in "Izumi Satoshi’s Private Japanese Language Library" (see also Su Zhenshu’s "A Letter about the Izumi Satoshi Satoshi Tojo Library"), Qian Daosun should have founded the "Izumi Tojo Document Collection" around 1930, and the Japanese Matsumura Taro. After the "September 18th Incident" in 1931, the "Book Collection" was temporarily closed and reopened the following year, which lasted until about 1935. The captions of the other two photos are: "Qian Daosun and his wife were photographed at their residence in Chihiromachi, Japan in the 24th year of the Republic of China", and "Mr. Qian Daosun is in Japanese works". During Tsinghua’s time, Qian Daosun visited Japan many times or bought books. From 1934 to 1935, Qian Daosun, as a guide, led the "Tsinghua University Tour Group to Japan" to inspect Japan. According to Tsinghua Weekly (Volume 41, No.10, 1934), Gu Xianliang’s "The Bottom Trip of Our School’s Tour Group to Japan" records that on April 4, 1934, Qian Daosun and others set off from Tsinghua, arrived in Kobe on April 8, and arrived in Tokyo the next day. Qiao Guanhua and other students from Tsinghua who stayed in Tokyo welcomed them at the station and stayed at the Japanese Society. During their stay in Japan, Qian Daosun and others took part in various activities, followed by visits to Yokohama and Kyoto, and returned to Peiping on April 24th. In addition, according to "Dining Notes of the Historical Society" (Tsinghua Weekly, Volume 43, No.4, 1935), one of the original intentions of this dinner was to set up a holiday for Qian Daosun to study in Japan in the second half of the year, and hoped that Qian Daosun would complete the purpose of going to Japan-to learn from Japanese scholars’ research on the history of China and investigate the unique and important information on China’s history, so as to purchase it. The photos published in Art and Literature Magazine in 1944 should have been taken during Qian Daosun’s vacation trip to Japan in 1935. The magazine was founded in July, 1943 and finally published in May, 1945. It is a part of the "Great East Asian Subculture Construction Movement" and aims to establish "Great East Asian Literature". Zhou Zuoren is an "important author" of this magazine, and many essays are published in this magazine. As for why Art Magazine published photos of Qian Daosun ten years ago, in a sense, the leader wanted to put the "daily" academic and cultural exchanges in 1935 in the "exceptional state" in 1944, so as to give it a specific meaning. Fourth, Qian Daosun’s trip to Suzhou, a rare photo with Shu Yuan. From left: Shu Yuan, Qian Daosun, and Japanese war literature writer Huoye Weiping, November 1944. The photo was published in No.3, Volume 14, Magazine in 1944. This issue is a "Special Impressions of Writers", which is actually a special collection of writers about the third "Great East Asian Writers’ Conference". In November 1944, Japan’s war of aggression against China was a spent force, so the third "Great East Asian Writers’ Conference" was not held in Tokyo, Japan, like the previous two, but was held in Nanjing under the Wang puppet government. On the previous day, it was "the first session of China Literature Annual Meeting". After the meeting, about two-thirds of the participating writers went to Suzhou for a one-day trip, and for this reason, the magazine invited "our colleagues in Suzhou to invite Suzhou writers to write together and write’ Writers in Suzhou’ to impress each other". At breakfast on the morning of November 11th, 1944, there was a table in Shanghai (including writers such as Louis, Bao Tianxiao and Tao Jingsun) and a table in North China. "The two sides are unfamiliar, so it’s too early to talk". After breakfast, three or four people, such as Zhou Yueran and Qian Daosun, took the car, and the rest took the bus. After getting off the bus, I learned, "I received a telegram last night, and Chairman Wang has died, so I am very sorry to stop the banquet these days." Wang Jingwei died in Nagoya, Japan at 10: 30am on November 10th, 1944. The China Literature Annual Meeting was held in Nanjing the next day, and the third Great East Asian Writers Conference was also held in Nanjing on November 12th. This is a symbol of history. At the "China Literature Annual Meeting" held on November 11th, Qian Daosun was elected as the speaker and Tao Jingsun as the deputy speaker. Qian Daosun delivered a speech at the meeting, "First describe the significance of the meeting, and hope that everyone will unite and work hard for China’s cultural construction. The words are extremely brief". He is "nearly 60 years old, his hair is bald, his back is bent, and there are three deep wrinkles between his eyebrows. He has a small gray beard under his nose, and his face is ruddy. He is short and short, wearing a blue and black jacket, and his voice is low and weak. (See Yang Guangzheng’s China Literature Annual Meeting) At this time, Qian Daosun served as the dean of the pseudo-Peking University College of Literature, and was the "chief representative" of China in the conference. Shu Yuan is the pseudo director of Jiangsu Education Department, so Qian Daosun will have a photo with him. That night was a reception dinner hosted by the pseudo-Jiangsu provincial government. Yuan Shu gave a welcome speech. Qian Daosun said that he had been to Suzhou more than forty years ago, "but he didn’t say much except a very short thank you speech". Qian Daosun also gave a lecture at the Pseudo-Jiangsu Institute of Education, where Lu Wanyi was the director of liberal arts at that time. Five, "Zhou Qian" and "Rehabilitation of China Culture Symposium" This photo can be found in the so-called "Symposium on Rebuilding China’s Culture", published in the 19th issue of the Digest edited and published by the Digest Society of Fudan University in 1938. This article is translated from the Japanese Osaka Daily News’s Symposium on Rebuilding China Culture, with the translator’s signature Yu Shihua. The introduction before the article thinks that "although the convening of this symposium was nominally initiated by Osaka Daily News Agency, I don’t think anyone can assert that it was not inspired by Japanese fascist warlords". On February 9, 1938, the symposium on "Rebuilding China’s Culture" was held in Peiping. The names of Zhou Zuoren, Qian Daosun and other well-known cultural figures were seen in the newspapers, and there were photos, which quickly caused great surprise and indignation among intellectuals in China’s rear during the war. Mao Dun, Hu Feng and Hu Qiuyuan jointly signed an Open Letter to Zhou Zuoren in Anti-enemy Literature and Art, urging them to leave Peiping quickly. "Otherwise, there is only agreement." After the forum, Zhou Zuoren and Qian Daosun successively assumed pseudo-posts, such as the director of the pseudo-Peking University Library, the dean of the College of Arts, the secretary-general of the pseudo-Peking University, and the supervision of the General Administration of Education of Japan and Japan. There is only one side photo of Qian Daosun in the group photo, which is opposite to Zhou Zuoren’s position. It can be described as "Zhou Qian". However, Osaka Daily News mistook Qian Daosun’s name and wrote it as "Qiandao Village". It is reported that Qian Daosun made a brief speech at the forum: "My opinion coincides with that of Mr. Zhou. Even if Gai studied in "Beijing" for three or four years and didn’t go to Japan, it would be useless. In’ Beijing’, there are only middle schools that teach Japanese. I think it is really necessary to teach Japanese in middle school. " 6. In 1940, Qian Daosun attended and finished classes in the pseudo-Peking University. This photo is taken from Qiu Wei’s book "Xing Wu Qianjia: The Fracture and Inheritance of Modern Academic and Cultural Families" (Zhejiang University Press, 2009), in which it is stated that the photo was provided by Mr. Yang Shaojing. There is also a Chinese inscription on the photo. Judging from the tone, the writer and photographer are Japanese: "So far, I have lived a school life every day, and educating those promising young people can really be called a great or happy person! In June, 1940, it was taken at the end of class in Beijing, China University. Judging from the shooting time, this photo happens to be from the same period as the two photos of Qian Daosun in the "North China Traffic Photo Archives", and the photographer should be the same person. The photos numbered 35072 and 35070 in the "North China Traffic Photo Archives" were shown in December of the 15th year of Showa (1940), and the photographers were all Qiaozhao. North China traffic photo file, Qian Daosun at this time as a pseudo-Peking University Secretary-General. Eight, 1942, Qian Daosun. These two books are from the ninth issue of Volume 3 of National Magazine in 1943. One of them introduces Qian Daosun’s life experience, and also says that "Mr. Wang attended the first Great East Asian Writers’ Conference last autumn on behalf of the literary circles in North China, and made great contributions to the exchange of Chinese and Japanese literature". From this, we can also get a general idea of the propaganda caliber of National Magazine. Nine, Qian Daosun and the "Great East Asian Writers Conference" Quoted from Wang Xiangyuan’s "Pen Army and the War of Aggression against China —— Research and Criticism on Japanese Literature of Aggression against China", Kunlun Press, 2015. Wu Zhen’s "Classmate Record" said that Qian Daosun "presided over the Great East Asian Writers’ Conference for three consecutive years", which is not accurate. Qian Daosun has participated in two Great East Asian Writers’ Conferences, the first in Tokyo in 1942 and the third in Nanjing in 1944. Interestingly, on November 10, 1942, on the closing day of the first Great East Asian Writers’ Conference, NHK (News Image No.127, 1 minute and 40 seconds in total) in Japan once reported the conference, among which there were more than ten seconds’ video materials of rich rice sun, Shen Qiwu and others, which were very rare. Qian Daosun, Speaker of the Third Great East Asian Writers’ Congress The above-mentioned images of the Third Great East Asian Writers’ Congress are from the 17th issue of Volume 6 of Continental Pictorial in 1945. Qian Daosun is speaking as the speaker of the Third Great East Asian Writers’ Congress. Wu Zhen quoted the Special Edition of the Third Great East Asian Writers’ Conference, but the book was not accompanied by drawings. Among them, the special edition of the conference introduced Qian Daosun’s "unsmiling, Old Master Q style of Chinese studies". Interestingly, when I looked up the archives of the National History Museum in Taiwan Province, I found that the museum collected photos of the third Great East Asian Writers’ Conference, one of which was a live photo of Qian Daosun’s speech at the conference, while the other picture was marked as "Qian Daosun is presenting awards to winners" and it was "Zhang Guan Li Dai" again. Qian Daosun spoke on the stage at the Third Great East Asian Writers’ Conference. Quoted from Taiwan Province National History Museum, Wang Zhaoming Historical Materials, Wang Government Meetings and Awards Photos, collection number: 118-030200-0005-025. The above picture just contrasts with the picture of "the meeting place of writers" in Continental Pictorial, and we can get a sense of wholeness. The flag of "Puppet Manchukuo", party flag of Kuomintang (Wang Puppet Regime) and Japanese flag are hung behind the rostrum of the conference. Quoted from Taiwan Province National History Museum, Wang Zhaoming Historical Materials, Wang Government Meetings and Awards Photos, collection number: 118-030200-0005-052. The above two pictures are from Taiwan Province National History Museum and Continental Pictorial respectively. The first picture is marked as "Award presented by the Speaker (Qian Daosun) of the Third Conference of Writers of Wang Government". In fact, if we look closely at the original picture, we can see that Qian Daosun is the one with a slight silhouette on the left side of the winner, and from the second picture, we can see that there is a sign on the podium that says "Speaker", so it is not Qian Daosun who awards the prize to the winner, but another person. X. When Zhou Zuoren visited Japan in 1941, "Zhou Qian" shared a seat. Zhou Zuoren and Qian Daosun visited Japan. Quoted from Wang Xirong’s "A Group of Photos about Zhou Zuoren", Shanghai Luxun Studies, No.2, 2005. On April 6, 1941, as the newly appointed supervisor of the General Education Department of the North China Government Affairs Committee, Zhou Zuoren led a delegation of judges from the East Asian Cultural Agreement Association to visit Japan to attend the special ministerial meeting of the East Asian Cultural Association held in Kyoto. Zhou Zuoren, Qian Daosun and others belonged to the Ministry of Literature. At noon on April 17th, in Tokyo’s Xinggang Chaliao, many celebrities in Japanese literary circles held a luncheon to welcome Zhou Zuoren, and Qian Daosun also attended. Topics include "the review of Chinese and Japanese literary circles, and the anecdotes of the two countries". Xi. Qian Daosun and the East Asian Cultural Agreement Group photo of the second Council of East Asian Cultural Agreement, held at Imperial University Hall, Tokyo on December 2, 1938. Qian Daosun sits in the first row, 16th from the right. The East Asian Cultural Agreement Society is an important organization of the Japanese Puppet in North China. It was established on August 30, 1938, and belongs to the Puppet Ministry of Education and the Xinmin Society. Zhou Zuoren was the second president, in which Qian Daosun served as a pseudo-post. Qian Daosun was a permanent member, a lecturer at Xinmin College, a reviewer in the Literature Department, and presided over the reviewer meeting as the chairman. There must be some images about Qian Daosun, which will be excavated later. As for Qian Daosun’s "face value" in the image, we can quote an article that has never been noticed, entitled "Impression of Qian Daosun", published in the third issue of Gale in 1941, and the author signed You Wu. Gale was a Jinan publication under Wang’s puppet regime, so Wang Jingwei, Chen Gongbo and others all published articles in it. The reason why the above article has not been quoted by scholars is probably because the tout or the hand people wrote Qian Daosun’s name wrong. The article said, "Mr. Qian is already a famous old professor in China. He is not very tall, his body is quite burly, his face is oblong, and he has a pair of extremely deep myopia glasses on his nose. Under his nose, he has a moustache and his hair is half white. No matter in winter or summer, I always wear domestic cloth with a pair of Melaleuca dress tweed shoes under my feet. It looks like a scholar. That face, manner and even costume are similar to the old man in Zhitang in Kuyu Zhai. If they sit together, then someone will mistake them for Kunzhong because they are too similar. " The juxtaposition of Zhou Zuoren and Qian Daosun may also be a kind of political rhetoric. Continue reading » Jing Bo Ran’s new drama ＂Junzi League＂ has a superb hit temperament. Lan Jue staged a suppression of both emotion and intelligence. 2026年7月5日 | admin | B2 The costume detective drama "Junzi League" premiered in Tencent video on January 30th. The ups and downs of the story rhythm, the intricate case context and the unique Chinese suspense atmosphere of aesthetic sophistication make people shine. Lan Jue, assistant minister of rites, played by Jing Bo Ran, even surprised the audience with his restrained and deep planning, elegant and dusty temperament and romantic and elegant manners, and praised him as "elegant, warm, bookish and natural" and "accurate and balanced with black belly and reversed eyes". As soon as "The League of Gentlemen" started, Lan Jue (Jing Bo Ran), assistant minister of the Ritual Department of Yong Dynasty, made a careful plan and tactfully recaptured the secret letter that his political enemies had framed him for collaboration and treason. Strategize with low eyebrows, raise your eyes and fight back with the Jedi, and step by step perform emotional and intellectual repression for the camp. The series of unexpected events caused by this indicates that a "chess game" against Lan Jue has just begun. Jing Bo Ran made the audience look forward to the future development of the characters’ fate through his excellent acting skills and jade-like appearance. Jing Bo Ran’s book spirit is precious and unique "Su Su is like a breeze, and her beauty is like a moon in the forest", which is a poem describing Lan Jue in the play, and it is just right to describe Jing Bo Ran dressed in ancient costume. Some netizens commented that Jing Bo Ran’s ancient costume skillfully combined the bookish spirit with the aristocratic childe’s bearing, which could be either a romantic and elegant flower-exploring lang or an official who was like a monk in a red shirt and was cautious in his words and deeds. The style of Lan Jue in the play is also very interesting. Whether it’s neat hair, loose hair at home, or the official dress style of the court, Jing Bo Ran can easily control it, and the "fashion completion" does not lose the aesthetic level of his modern clothes. The lines are solid, the emotions are deep, and the explosive force is strong. Actor Jing Bo Ran continues to advance. It is worth mentioning that what is more memorable than Jing Bo Ran’s costume is his performance in the play. The original lines are clearly articulated, and the voice lines are gentle and magnetic. On the day of the premiere, "Jing Bo Ran Lines" triggered a heated discussion on social platforms. Some netizens described Lan Jue, played by Jing Bo Ran, as "black-bellied and calm" and "changeable in many aspects". At the same time, he was also an introverted person. When he learned his father’s wishes, he wept bitterly and tried his best to restrain his bitterness, and the inner entanglements of the characters were vividly interpreted by Jing Bo Ran. When it comes to Jing Bo Ran, people generally recognize that he is a representative of high taste, good aesthetics, superior temperament and acting skills. Or leisure, or expensive, or fashionable styling collocation, the design style of home improvement is more highly praised, not only the wearing model repeatedly mentioned in the fashion circle, but also the blogger who shares the treasure of life aesthetics. As an actor, he gradually came to the center of the big screen from his youthful face in love city, his wonderful performances in Lost Orphan, monster hunt, Later Us, and A Cloud Made of a Rain in the Wind. Now, he has been holding a box office of 10 billion yuan, and he is still changing from an "actor" to a "good actor" in no hurry. Through his excellent performance in "The League of Gentlemen", I also look forward to his subsequent works to be broadcast: Lu Yanchen played by Jing Bo Ran in the urban emotional drama "Return to the Road" is a cold and handsome special police officer who cares about the country and plays Fico/Li Zerui with high intelligence, mystery, contrast and complexity in the drama "New Life" of Youku’s new track. Jing Bo Ran will show us more through the interpretation of these different roles. Continue reading » Rec Room, a VR social platform： with a valuation of $3.5 billion, the future social interaction is interaction with algorithms ｜ Case 2026年7月5日 | admin | A1 whatRec Room, a VR social platform startup founded in 2016, raised $145 million at the end of this month, and the company’s valuation reached $3.5 billion. The new round of financing was led by Coatue Management, and the old shareholders Sequoia Capital, Index Ventures and Madrona Venture Group followed suit. This round of valuation has been higher than the nearly $3 billion paid by Facebook when it acquired VR startup Oculus in 2014. The company was founded by Nick Fajt, a former project manager in Microsoft HoloLens team. Its eponymous product Rec Room was first launched as a free social platform for VR users, and Rec Room has developed into a global platform with millions of community experiences. According to a report in January 2021, Rec Room has more than 1 million VR users. Due to the slow development of VR market, it turned to multi-platform support such as mobile PC. In recent years, it has gradually increased its support for mobile, host and PC, and is committed to becoming "Roblox in VR field" to meet the needs of young users. Players can use the creative tool suite provided by the platform to create virtual space and virtual goods, and the platform will provide players with the subscription function of game coins and sell virtual goods in the game to earn income. In February of this year, Rec Room launched the "Creator Subsidy Scheme" to encourage users to produce content. Rec Room plans to pay $1 million to the creators before the end of 2021, and will continue to invest in the creator community in the future. Rec Room said that it plans to expand the number of rooms in the future and hold large-scale music festivals or sports events. On the technical level, the company believes that artificial intelligence or deep machine learning is indispensable for future development. Talking about the future socialization, Fajt, CEO of Rec Room, believes that "all social applications today are actually not very social, and users are not interacting with people, but with algorithms. The algorithm happens to know you very well, but this is different from human interaction. And this is what we can see in Rec Room. " The original HoloLens team started a business. Multi-platform extended VR social platform Rec Room is a free VR social platform established in 2016, which provides players with cross-platform face-to-face social interaction, as well as a series of mini-games such as cooperative tasks and escape-style shooting games. In addition to the official content, players can also create their own virtual goods such as games to play, and these created virtual goods can also be sold among players. Nick Fajt, co-founder and CEO of Rec Room, worked as a project manager in the HoloLens (then called Gravity) team of Microsoft MR in 2012. At that time, AR technology had a good development momentum. However, due to the huge head-mounted display equipment, high price and inability to play its role, HoloLens finally turned to selling its hardware for military applications, and Fajt and his team faced restructuring. So in 2016, he decided to form a team composed of former Microsoft colleagues to build products where games and communities intersect. Other co-founders include Cameron Brown, Dan Kroyman, Bilal Orhan, John Bevis and Josh Wehrly, also from HoloLens Project. Up to now, Rec Room has gone through six rounds of financing, and the last round of financing was $100 million at the beginning of 2021, which made Rec Room among the unicorns and became one of the earliest startups focusing on virtual reality. With Rec Room’s financing of $145 million at the end of this month, the company’s valuation reached $3.5 billion. The scale of the company has also increased from about 60 employees last year to nearly 200 employees now. Matt Mazzeo, general partner of Coatue Management, said in a statement: "From mobile phones to VR, there are millions of players participating in Rec Room, which makes the digital world more interesting and immersive." Rec Room’s eponymous product was launched on Steam in June 2016, initially focusing on the VR head-mounted display. Although the VR head-mounted display market was hot, its development was slower than expected. Therefore, Rec Room turned to other platforms and was launched on PlayStation and Xbox in 2019. At that time, the data showed that the number of viewers on the platform doubled overnight after the launch of xbox, ranking first in the "free game" in Xbox store. In August this year, Rec Room was launched on Android, and in September Rec Room launched its first game Rec Rally, which is a multi-player racing experience with cartoon style for the global community, allowing players to compete with up to six friends. At present, Rec Room’s platform has included mobile devices, game consoles, PC and VR headsets including iOS, Android, Xbox, PlayStation, Oculus and Steam. Since its launch, Rec Room has accumulated 37 million users, mainly teenagers aged 13 to 16, and the number of rooms built is about 12 million. Although it is not clear how many active users are among the 37 million active users, Rec Room said that the number of monthly users increased by nearly 450% last year (since November 2020), and mobile users are driving this growth, which increased tenfold during that period. According to the internal data of Rec Room, the largest active user group of Rec Room comes from the mobile platform. At the same time, Rec Room has also set a "record high" on VR devices, and it is currently the largest social VR application. Although Rec Room can be implemented across multiple platforms, it has not given up the VR market. Fajt believes that VR can’t be compared with the universality and convenience of mobile phones, and VR also has an immersion that mobile phones can’t achieve, and VR will play an important role in the future. As a VR social product that is ahead of the industry, Rec Room has its own product advantages. First of all, it entered the VR social track very early and developed its own social platform without relying on other platforms such as Facebook. In Rec Room, players can hold family gatherings, company meetings and even weddings. In addition, Rec Room provides various experiences suitable for novice and experienced users, which lowers the threshold for its players to promote the concept of "Rec Life". Creator economy under UGC mode Rec Room is more inclined to a social game company than a game company. When Rec Room was launched, Fajt’s vision was to build a place where people from all over the world (or next door) could go out and have fun together. "Why do we use social applications to feel that social time is spent very little, but when we really socialize, it is the opposite. Can we combine the two? Can we bring this excellent real-time social interaction into the digital space? Many games are trying to provide this experience, and Rec Room is one of them. " Fajt said. Unlike other UGC platforms that rely on games to attract players, Rec Room can provide virtual social space for players. Players can customize avatar, create rooms to socialize with other players outside the game, or wander into different rooms or explore more experiences. In addition to experiencing official games and other content, players can create their own content. Rec Room said that it has been used for virtual weddings, business meetings and leisure parties. In addition, Rec room also launched works exhibitions, tiktok dance activities, Tiktok production video competitions, sports fashion shows and other social activities. Since 2017, Rec Room has added the function of player-generated content. According to the needs of players, 75%-80% of Rec Room applications are spent in user-generated rooms, and players provide most of the creative content, including new clothes, activities and decorations for users’ private game areas. In Rec Room platform, players can use the creative tool suite provided by the platform to design a virtual space for friends to meet and interact. Players can also create virtual products needed for various social activities, including games, and sell them to make money. "Whether it is YouTube, Twitch or Instagram, there is a clear mechanism for creators to make money by making high-quality content. I’m sure Rec Room will be the same. The platform needs to make important decisions to help creators make money and make the community an interesting and popular place. We are still learning about this. " Fajt explained. In order to motivate content creators, in September last year, Rec Room announced plans to let users earn cash by selling his game content. After more than two months, Rec Room launched a senior member. As an optional membership program, Premium members allow players to get exclusive content, expanded equipment slots, free tokens, discounts from official Rec Room stores and various other benefits by paying a monthly fee of $7.99. Advanced users use Maker Pen in Rec Room to make in-game items and landscapes, and can sell their items at a cost of 100 to 10,000 game coins (about 15 US dollars in cash). Advanced users can sell keys to unlock the room, and items including avatar clothes and decorations can be picked up in the room. But at that time, players could only earn game money and could not convert it into money. In February this year, Rec Room further launched the "Creator Subsidy Scheme", which aims to help creators make money by converting virtual currency into cash. Because other players are willing to pay for it, some players have earned game coins from their creations and converted them into cash. Rec Room hopes to extend it to the theory that some people can make a living by virtual activities.althoughThe company has not disclosed any revenue data so far, but as early as March, it said it would pay about $1 million to game creators on its platform. Then in July, Rec Room will create animated virtual clothes and sell them as a way for players to make a profit. It is understood that this will allow players to create and sell full-body animated clothing, whether it is original clothing or clothing recognizable from popular media. "The platform that really expands its scale has found a way to help creators make money. Whether it is YouTube, Twitch or Instagram, there are clear mechanisms for creators to make money by making high-quality content. When users build excellent content or make important contributions to the ecosystem, it is important for the ecosystem to reward them. " Fajt said this. 　 future Metauniverse is the next opportunity for Internet scale. Regarding the future, Nick Fajt, co-founder and CEO of Rec Room, said in a statement, "We still have a lot to do. As we enter 2022, we are very happy to build more experiences, expand to new platforms, invest in first-class trust and security systems, and continue to expand our creator tools." In a recent interview, Fajt mentioned that the number of people in Rec Room is limited to 40 at present, and it is planned to expand the room to accommodate 10,000 people in the future. "We really want to hold a Bumbershoot Music Festival with thousands of people. And we hope to hold a large-scale sports event, so that 100,000 people can watch the event and cheer together. It doesn’t seem impossible to do so. These large platforms have begun to touch the surface of this problem, and I think this will be a problem that will be solved in the next few years. " Users are more involved. In view of the community environment, Rec Room has formulated strict guidelines and provided tutorials to tell players how to use their tools to mute or even vote out troublemakers. Rec Room also began testing automatic voice auditing, using a mixture of community reports, manual auditing and automatic tools to identify violators. in additionMike Schmid, vice president of business development of Rec Room, also mentioned that the company may make some acquisitions. "Now that we have a reserve, we can develop the company and expand our capabilities at the same time." As a company that tried to build the proposed meta-universe experience a long time ago, Rec Room didn’t get widespread attention at that time. Now the frequent appearance of mataverse makes the Fajt team realize that investors and consumers’ cognition of the meta-universe and the industry trend have turned to a turning point. "When I was asked about our vision of the metauniverse," Fajt said, "my answer was based on people and what they want and need to do every day, because people in the virtual world are the reason why the metauniverse works. Some consumer behaviors began to be built around encryption, metauniverse, virtual reality and augmented reality. " For the current progress, Fajt believes that the team is in the initial stage of building a meta-universe, and the future "meta-universe" is the evolution of the Internet, but it is more physical, 3D and real-time than the Internet. Its core is to design a virtual experience that allows people to feel the same room with others. " He believes that the Metauniverse is the next opportunity for Internet scale, and there are many opportunities in this field for Rec Room and other companies. It is believed that the UGC track where Rec Room is located has strong competitors including Roblox and Overwolf, among which Roblox is the only real competitor in its market segment, both of which are popular among players under the age of 16. In this regard, the company believes that these competitions have not affected Rec Room. "In terms of the number of players or the time spent, we all have relative successes or failures. I am more concerned about how to get data about user preferences from the community and ensure that these data are applied to the application as soon as possible. " Roblox’s user statistics show that more than half of users are under the age of 13. Compared with this platform, most users of Rec Room are between 13 and 16 years old, slightly older than the users of Reblox. Roblox went public on March 10th this year, and Rec Room is also preparing for the IPO in the next few years. The epidemic has promoted the development of many network virtual platforms, and with the lifting of the blockade caused by the epidemic, the number of users will be affected accordingly, and Rec Room is no exception. Fajt said that once teenagers can meet face to face, the number of users of the platform may decrease. But he added that Rec Room is not only a substitute for real-life socialization, "it helps people who are thousands of miles away to keep in touch. These are friends separated by physical distance, not just social distance. So if Rec Room has become a part of users’ daily life, I think it will play this role even after the epidemic. " For the development in the next five years, Rec Room thinks that the way the platform interacts with users and software will change fundamentally. The platform will spend more time interacting with these spatial and digital objects. EW-Entertainment Recent Topics and Related Contents　 　 Continue reading » The leverage of the insurance trust ＂three generations under one roof＂ has not changed, and the service has been iterated. 2026年7月5日 | admin | D4 China Net Finance October 8 (Reporter Lu Kai) After continuous development in recent years, the insurance trust has quietly completed its own iterative development, which provides better corporate financial services by combining the natural leverage advantage of insurance. Leverage to incite great wealth Insurance trust is similar to family trust and belongs to the original trust business. Compared with non-standard financing trust business such as real estate trust and political trust, insurance trust has become an important direction of trust business transformation. At the same time, compared with the entry threshold of family trust, the insurance trust takes the insurance amount of the policy as the establishment threshold, and adopts the "down payment+installment" model, which greatly reduces the starting threshold of family trust, not only ensures that the scale of trust assets meets the regulatory requirements, but also reduces the pressure on start-up funds. At the same time, it is attracting more and more attention from high net worth individuals and middle-class families through "leverage". Since the first single insurance trust of CITIC Trust in 2014, the net profit of insurance trust has gradually increased from 0 to 1, and then from 1 to N. The number of clients who set up insurance trust has increased from 10 in 2014, nearly 100 in 2015, 500 in 2016 and over 1,000 in 2017, reaching nearly 10,000 by the end of June 2021. During this period, the scale of insurance trust has also risen. Statistics show that in 2017, six trust companies carried out insurance trust business, with a scale of 352 million yuan and a business number of 1023. Today, the scale of insurance trust has advanced by leaps and bounds. In June this year, the new insurance trust was 6.237 billion yuan, up 38.29% from the previous month. However, the new scale of insurance trust is still less than the new scale of family trust of 11.995 billion yuan in the same period. By comparing the main characteristics of insurance trust and family trust, it is not difficult to find that although both of them belong to service trust, even from the perspective of industry practice, there is a widespread problem of confusing family trust business with insurance trust business, and some people even think that insurance trust belongs to family trust, but there are still great differences between them. We analyze the main differences between them layer by layer, and it is not difficult to find that there are great differences between insurance trust and family trust in many aspects, such as trust property, threshold for establishment, requirements for the establishment of trust parties, and characteristics of trust property management and application. First of all, the trust property of insurance trust is the right to claim insurance, while the trust property of family trust is rich in forms. At present, the mainstream financial assets in the market are monetary funds, asset management products, insurance policies and corresponding rights. In terms of the threshold of trust establishment, the supervision has clear scale requirements for the establishment of family trust, and the amount or value of family trust property is not less than 10 million yuan. However, there is no special regulation on the scale of insurance trust, but it still needs to meet the requirements of trust property scale of general trust. At present, in the practice of the industry, the threshold of establishing trust scale for insurance trust is usually higher than RMB 1 million to meet the needs of future wealth management and inheritance. At the same time, the supervision has clear requirements for the parties to the family trust, but it is mainly bound by the Trust Law and other relevant legal provisions; However, in addition to meeting the trust-related legal and regulatory requirements, the establishment of relevant parties in insurance trust also needs to be restricted by insurance law and insurance contract. Finally, in terms of the management and application of trust property, although the characteristics of family trust put forward higher requirements for the corresponding management and application, its management, application and disposal of trust property began with the establishment of the trust and the confirmation procedures for transferring the corresponding assets to the trust were not much different from those of traditional trust. However, the insurance trust has different requirements from other trust products in terms of information disclosure, process requirements for claims funds to enter the trust account and trust property management requirements after claims funds arrive, which also provides the possibility of cross-integration with other trust businesses, especially family trusts. For the insurance trust with a trust scale of more than 10 million yuan, it can be set as a family trust, or the insurance policy and other property can be put into the family trust together. For the trust property with a trust scale of less than 10 million yuan, it can leverage the insurance to incite greater benefits, and it is in the process of mutual cross-integration that the insurance trust is continuously and iteratively developed. "Three generations under one roof" service upgrade From the analysis of the current practice, there are three existing insurance trust business models: 1.0, 2.0 and 3.0. In practice, both 2.0 and 3.0 models can be regarded as upgrading iterations on the basis of 1.0 model, and there is no clear updating relationship among them. Instead, they jointly promote the growing insurance trust market under different application conditions. In the earliest 1.0 business model, the principal insured himself and entrusted the policy beneficiary right or insurance premium of life insurance or annuity insurance he held as trust property to a trust company to set up a trust. With the consent of the insured, the trust company was changed into the policy beneficiary, and when the payment conditions agreed in the policy were met, the insurance company paid the insurance premium to the trust company. As the trustee, the trust company manages and uses the trust property according to the agreement in the trust contract, and gradually delivers the trust property and income to the trust beneficiary designated by the trustor. Under this model, the insurance leverage can also lower the threshold for the establishment of family trust, but the trust company as a whole is in the stage of inferior participation. In view of the above situation, compared with the 1.0 operation mode and the insurance trust 2.0 mode, the participation stage of the trust company is greatly advanced. After the insurance products and trust products are established, with the consent of the insured, both the applicant and the beneficiary of the policy are changed into trust companies. During the duration of the policy, the trust company will continue to pay the premiums on its behalf by using the trust property, and as the insurance beneficiary, it will be entrusted with the management and distribution of insurance benefits. Since the subsequent policyholder is changed to a trust company, the risks such as the policy being divided as an inheritance or being forced to surrender as the property of the policyholder after the death of the policyholder are avoided. In this way, on the basis of making full use of the leverage advantage of insurance money, the trust has the natural advantage of risk isolation legal framework. In the insurance trust 3.0 model stage, the trustor sets up a trust with its own funds and entrusts the trust company to buy insurance. As the trustee, the trust company pays the premium with the trust property and signs an insurance contract with the insurance company. This is not so much an insurance trust, but actually it is more like a customized service based on the family trust. The 3.0 model can provide all-round custody services for customers’ policies from three dimensions: insurance stage, policy holding and claim settlement. It can also expand the types of insurance from traditional life insurance to multiple insurance categories, make insurance an integral part of trust property asset allocation, and further play the role of insurance trust in realizing wealth management. As a result, many insurance trust models have been derived, such as "family insurance policy" model, "insurance trust+will" model, "insurance trust+pension" model and "insurance trust+charity" model. With the continuous iteration of insurance trust, its service quality is constantly upgrading, and investors’ awareness of it is also constantly improving. The future is promising In addition to the "gradual" development of the insurance market mentioned above, relevant information shows that the insurance trust market has entered a rapid growth period in the past year or two, and more and more high-net-worth users, especially female users, are increasingly favoring insurance trusts. From the perspective of the proportion of premiums, women account for about 53% and men account for about 47%; From the number of policies, women account for 44% and men account for 56%; From the perspective of the age distribution of premiums, most of them are people aged 41 to 50, accounting for 43%. At the same time, the insurance market is still facing stage challenges. Compared with customers’ recognition and acceptance of family trust, it needs to be strengthened, and the market needs to be further cultivated and developed, which puts forward higher requirements for improving the professional ability of employees and improving the basic system of insurance trust. However, we should also see that under the background of tightening supervision and industry transformation, insurance trust business is one of the important businesses for trust companies to cope with industry transformation. Although there are still some shortcomings in this field, such as unclear laws and regulatory policies, and lack of effective profit model, compared with the previous business processing time of several months, the financial technology widely used in the industry has effectively helped the development of insurance trust business, and the insurance trust has been greatly improved in modularization, standardization and informationization. In particular, the professional ability of employees is gradually improving in marketing mode, service mode and management mode. In the future, with the progress of society and the changes in China’s wealth market, the real market demand will be further released. Some experts in the industry once said: For high-net-worth customers, insurance trust can enrich the forms of insurance payment and effectively solve the problem of insurance distribution and inheritance in the future. At present, domestic private banks, insurance companies, trust companies and other institutions have begun to extend the service chain through insurance trust, which will be welcomed by more and more high-net-worth people in the future. China Net Finance will continue to pay attention to the future development of insurance trust. Reporting/feedback Continue reading » 文章分页 1 2 … 33 Next 搜索搜索近期文章Sun Zhijia： Optimizing the layout of scientific apparatus and promoting development. 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